So in a way this is like the perfect movie soundtrack song, as it even makes you want to watch the film to ascertain all of what’s going down. Edward being tasked to actually figuring out Bella himself as opposed to relying on the easy way out.Īnd even though the lyrics do not utilize any proper nouns or names, it kinda becomes obvious as they progress that they may be based on a specific relationship, rather than being a more general piece. But again, lack of proper nouns still grants it instant general-applicability status, for those of us who may not be familiar with the Twilight franchise. And in that regard, it reads like the vocalist and addressee are in a tumultuous romantic relationship, one in which the former has doubts all along the way. But her misgivings does not negate the fact that she loves the addressee. And it appears this may be the emotional situation that both of them. being a fan. With that understanding she was able to put together a piece based on the relationship between Bella Swan and Edward Cullen, the two main characters in Twilight.Įdward, we might as well mention, is a psychic vampire who can read anyone’s mind – except for that of Bella’s. So that’s where we get the concept of “decoding” from, i.e. In return, the rock group provided songs for two subsequent Twilight movies after the first film’s success.And it would appear that Hayley Williams, the primary writer of this piece and lead singer of Paramore, actually has personal knowledge of the franchise, i.e. The writer dedicated the final novel in the series, Breaking Dawn, to Muse, calling them her favorite band and saying their name was apt as she credited them with inspiring much of the saga’s story. However, writer Meyer’s connection with the band goes deeper than this brief sequence in the first Twilight movie. While not originally written for the movie, "Supermassive Black Hole" is a perfect fit for the sequence, with the growling vocals and crunchy instrumentation providing an appropriately dramatic, but also fittingly over-the-top accompaniment for the sight of flying bloodsuckers engaging in America’s favorite pastime. The scene is laughable, but upon a rewatch it’s hard to imagine the filmmakers intended for Twilight's goofy Cullen family outing to be taken totally seriously. Let's look at the specific songs that made the first soundtrack such an enormous success.Įasily the biggest hit to come from the movie, the Muse track not only remains an iconic bit of anthemic alt-rock, but it’s also arguably the only thing that salvages Twilight’s infamously campy "vampire baseball" sequence. Many of the soundtrack’s songs were written especially for the movie, others already minor hits that benefitted from the publicity provided by the arrival of the Twilight series in cinemas. With some selections made by the filmmakers and some made by series author Stephenie Meyer herself (who popularized the now-ubiquitous trend of creating playlists for specific characters), it’s fair to say that a lot of thought went into pairing songs to the first film in the Twilight series. Related: Twilight: Esme Cullen's Dark Backstory Explainedĭespite the movies faring poorly with critics and often being criticized for their formulaic and regressive love triangle plot, the Twilight soundtracks were undeniably well-curated collections of rock, indie, and emo music that remain well-loved by viewers of a certain vintage to this day. With a target audience of teenagers, it was inevitable that the soundtracks to Twilight and its sequels were almost even bigger hits than the movies themselves, with Twilight’s soundtrack alone selling more copies than any movie soundtrack since the 2002 musical Chicago. Hardwicke’s sleeper hit was the first of the Twilight saga, a series of blockbusters which, although persistently unpopular with critics, were a huge hit at the box office and proved a genuine pop culture phenomenon around the time of their release.
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